Stylish and impressive, as is expected from an Errol Morris film. It feels like the documentary he has been working up to, important, social relevant and timely, with a subject that benefits from his production values. He addresses the major topics and hints at the subjectivity, truth and reality of photography. But it was mostly unsatisfactory. The interviews provide some insight but few revelations. And Morris never seems to delve deep enough into any topic.
1249 quick reviews and impressions of every movie I've watched since 2002.